Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobby and Alan are beginning to experience the power of raging hormones, the story focuses on Lex, who begins a downward spiral after he accidentally shoots the leader of Bobby's gang. Lex's cockiness and immaturity unfortunately prevent him from understanding the effect his subsequent crimes will have on both himself, and on those around him.

Frank lived alone. He had no job, no friends and no girlfriend. Then Charlie came along and everything changed.

Mexican feature film

Faces 1973并非是James Benning的2011年作品Faces。Faces 1973是一部25分钟短片，这是资料来源：https://www.filmaffinity.com/en/film590774.html。同时，以下为导演对Faces 1973的自述： 　　One of the films I remade was a film that used two faces in it from a short little three-minute film that I made for the Henry Mancini television program back in 1973. The two main characters in that film were a prostitute and a junkie, and because of that, it was never shown on television. So I thought I would rework that film, copied those two faces and took the last two seconds of the film of the two faces and stretched them each to 12 ½ minutes. I made a 25 minute film out of two faces. - JB

暂无剧情简介

Faces 1973并非是James Benning的2011年作品Faces。Faces 1973是一部25分钟短片，这是资料来源：https://www.filmaffinity.com/en/film590774.html。同时，以下为导演对Faces 1973的自述： 　　One of the films I remade was a film that used two faces in it from a short little three-minute film that I made for the Henry Mancini television program back in 1973. The two main characters in that film were a prostitute and a junkie, and because of that, it was never shown on television. So I thought I would rework that film, copied those two faces and took the last two seconds of the film of the two faces and stretched them each to 12 ½ minutes. I made a 25 minute film out of two faces. - JB

暂无剧情简介

A documentary that is at once a city portrait of an Asian capital. It accounts the recent changes of Seoul from the perspectives of both a former local dweller with many intimate memories and an expatriate traveler whose knowledge of the city can neither be contemporary nor irrelevant.